Saturday 20 February 2016

Initial Script:

Draft Script

So I told my mum the initial three act script and she interpreted it as this:
Act 1


Group of 3 kids Nathan [eldest], Shane and Hannah and their dad ride into a wild west high street.
The saloon bar doors swing open and out walks a tall heavy set stranger, worse for drink
Nathan: look Pa its Cliff Edge the train robber, there’s a bounty for his arrest
Pa: leave this to me son I’ll bring him in
Pa breaks free of the group rides forward and calls:
Pa:  Cliff Edge I’m taking you in, stay where you are
Cliff: Aint no one taking me anywhere [bang]
Shoots Pa dead leaps on his horse and bolts out of town. Nathan, Shane and Hannah ride over to Pa jump down from their horses and crouch beside their Pa.
Hannah [crying]:  Pa, Pa don’t die Pa
Shane [hysterical]:  He killed him, he killed him stone dead with no care t’aint right
Nathan: Naw, it aint right and we’re gonna do something about it. Hannah go find the undertaker to take care of Pa’s funeral. Shane we’re gonna need a posse to go after that outlaw.
Unnoticed the Sheriff appears wearing a silver star. He tips his Stetson back on his forehead
Sherriff: now boys lets not get hasty here tell me exactly what happened
As the lads recount events a small crowd gathers on the deck in front of the saloon
Sherriff:  alrighty it looks like Cliff Edge killed this man in cold blood. All those wanting to join the posse to bring him in mount up we ride in 5 minutes there’s no time to lose


Act 2
A group of men including Nathan and Shane  have ridden in and are dismounting in front of the saloon
Saloon girl in the doorway [Annie]: howdy fellas was the huntin’ successful?
Shane [looks exhausted]: Naw, he’s gone to ground and could be anywhere
Annie: Awe shucks honey you come right in and the girls here will look right after ya and yer brother


Shane and Nathan drift into the bar following the rest of the posse.  Annie, May and Eliza move over to them, Eliza hangs back as Nathan rants at the bar
Nathan: Some one, somewhere knows where he would go he needs supplies, he needs ammo, come one guys who would know these things? [he looks round the room]
Eliza looks across at the Englishman Jon Gunn dressed in a suit and bowler hat who knows Cliff Edge very well and is his financial adviser.
Hannah walks in the bar
Hannah: there you are I’ve put all the wanted posters up around town and Mr Cooper at the store has offered to put us up for the night. We can go when you are ready.
They follow her out
Shane [muttering]: don’t know how any of us will sleep right now


Act 3
A couple of nights later Shane and Nathan have silently followed Jon Gunn out into the open country
Cliff Edge emerges from behind a boulder and Jon hands him fresh clothes, bread and cheese
Jon: Cliff I don’t know how much longer we can do this, its not safe and those nosey kids miss nothing. I can feel their watchful eyes on me all the time
Cliff: Dang Jon, it don’t bother me none I killed their Pa and I’ll kill them if they git in the way
Nathan [leaps forward]: you’ll have to catch us first you murdering son of a bitch
Points his gun at Cliff’s head
Shane leaps forward and knocks the gun out of Nathan’s hand
Shane: no Nate no shooting he’ll kill you first
Jon Gunn throws himself on Cliff grabs his guns from the holsters
Jon: they’re just kids Cliff they don’t need to die, we’ll figure this out
Nathan hurls himself at Cliff flailing arms and punching his head
The posse arrives, this time with Annie and Eliza
Annie: Eliza told me she knew Jon Gunn was coming out here at night
Hannah jumps down from her horse and drags Eliza off hers and starts fighting
Hannah: you knew, you knew and you never said a word
Eliza: yes I knew and I knew you want him dead. There’s been enough killing in this town
Shane restrains Hannah
Shane: Calm yourself little sis we got him, we got him it’s over
Sherriff: Cliff Edge and Jon Gunn I’m arresting you for the murder of an innocent man you’ll come with my men now to await trial. Jon Gunn you are guilty as him don’t know why yet but I’ll think of something that’s for sure



Now what I really like about it is the dialogue, and I've been really struggling with my script especially because I wanted to do the dialogue in Iambic Pentameter, but i just don't think that's going to be possible when I'm struggling with the outline of the story. What I don't like about this script is how there's a lot more characters than I expected, also there's a serious lack of wrestling, the whole reason is because I wanted to animate a Seth Rollins moonsault in a cowboy fight. So I'm going to work on it and come back with another draft.


NB: I did about eight drafts in total. After the second draft I was at a real stump and I ended up talking to Steve who suggested researching story maps and creating a story map for the script as being a visual person that may help a lot more it did.




Thursday 18 February 2016

Initial Presentation













Apologies, in my initial presentation, I didn't have a great deal to show, it terms of visual work because I've spent so long getting my head around the story and have been finding it very difficult to approach.

Thursday 11 February 2016

Research:

So  to organise my research I've made a list of western films to watch and wrestling to get into, this will be an ongoing thing but I'm going to post my list here to make it easier for me to check off:

Westerns:

Blazing Saddles. *
The Good the Bad and the Ugly *
Rio Bravo * - Inspired Mexican Bartender
High Noon
Stagecoach
The Searchers
Lonesome Dove - TV SHOW - famous line : "It Ain't Dying I'm talking about it's Living.
Unforgiven - Clint Eastwood.
Butch Cassidy and the Sundance Kid
Tombstone
El Dorado
The Outlaw Josey Wales
The Assignation of Jessie James *
Once upon a time in the west
The Hateful Eight
True Grit *
The Magnificent Seven *
The Revenant

Wrestling
The Rock - docko and the most viewed WWE episode of his birthday for humour *
Dudley Boys
NXT
ECW
Royal Rumble
TNT






NB: 12/03/16 - Updated Research List to work to type up:

WESTERNS:
The Good, The Bad and The Ugly - discussion of spaghetti westerns, also the graveyard scene
Blazing Saddles - discussion of slapstick humour
The Hateful Eight - compare with other westerns and Tarantino's True Grit as a modern western.
Rio Bravo - Discussion of John Wayne, also discuss female lead and the mexican bartender.
The Assignation of Jesse James - discuss brad pitt's character.
Once Upon a time in the West
Unforgiven - discussion of Clint Eastwood
El Topo
Clamity Jane - more slapstick comedy like blazing saddles but also discuss female depiction in cowboy film
The Magnificent Seven - Akira Kurosawa influence.
The Lonesome Dove - TV Show influence speech famous line : "It Ain't Dying I'm talking about it's Living."


WRESTLING:
The Rock's Birthday Episode
ECW - hardcore wrestling
NXT - family friendly London Takeover
Hell in a Cell
TLC
The Long Feud - leading to wrestle mania
Sports Entertainment - Promo's
Tag Teams
Royal Rumble
Mexican Wrestling - High Flyers

ANIMATION:
Ron 'N' Rob
Drunk as a Skunk - Bill Plympton
Looney Tunes Cowboy
The Backwater Gospel - Animation Workshop
More than just a Hobby // Ready Steady Bang - Animade
Tumbleweed Tango - background art.




Three Acts

So I was really struggling with the initial script, so I wrote down all my initial ideas into three acts:




The whole cowboy wrestling idea came from really wanting to animate this scene in a bar:





The most incredible move, I've also really gotten into wrestling recently so I'm determined to get in a load of wrestling things that only WWE fans will get, for example the town will be called Dusty Roads after the death of the wrestler Dusty Rhodes, and a hotel in the town called Smack down Hotel after the Rock's chant. At this stage I've also started watching a lot of wrestling films in research so I'll also put reviews of these up and I've shown my mum the three acts so I'm excited to get her input into the script.

Wednesday 3 February 2016

Statement of Intent for Extended Practice



1. Blog Address
Where are you documenting the development of Extended Practice online?

This blog.


2. Subjects and Themes
Broadly speaking what are you interested in exploring and why?

I'm interested in exploring making a short film for festival submission.

3. Statement of Intent
Specifics of what you want to do, during this module?
If you plan on working on multiple briefs to demonstrate your practice, identify clearly each brief.


I would like to make a short film telling the tale of two cowboy kids in a town which has a wanted man that's shot the dad of the kids and they hunt him down and it ends in fight in the Saloon, including some famous wrestling moves. The whole film will have wrestling eggs in it just for randomness, including the town being called Dusty Roads after the wrestler has recently passed.I'm not sure I can complete it in fourteen weeks to festival standard so I'm going to use PPP to do all the marketing and promo and finishing off of the short if need be, I'd rather not rush that.


4. Explain how this will be developing your Specialist Practice?

I still haven't defined my specialist practice so I don't really know maybe completing this project will help decide what I want to do.

Resources and Workshops
What do you need and by When?
Nothing needed from college.



5. Will you be working on a group project or brief?
( If YES explain )
I hope to have a few people collaborate on the project to make the work load easier.



Are there any stakeholders in your project?
If YES, explain who they are and what their responsibilities are? - This is essential if you've got a Live Brief from a client.
No.

Extended Practice Initial Organisation



Initial Gantt Chart for time keeping.

Urgent tasks to do this week: Statement of Intent and Script.